RADIAL THEATRE

Passos Manuel — Porto /PT
2015

Within an oblique scale exercise, Radial Theatre revisits El Greco’s The Burial of the Count of Orgaz in an attempt to extract an inner cyclic mechanism from its visual and theological hierarchy. As such, through an anamorphic projection, the original image was digitally distorted, cut and printed into wood in order to describe distinguished geometric and metaphysical orbits over a record turntable.